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Akio Jissôji created a rich and diverse body of work during his five decades in Japan's film and television industries. For some, he is best-known for his science fiction: the 1960s TV series Ultraman and 1988's box-office success Tokyo: The Last Megalopolis. For others, it is his 1990s adaptations of horror and mystery novelist Edogawa Rampo, such as Watcher in the Attic and Murder on D Street. And then there are his New Wave films for the Art Theatre Guild, three of which – This Transient Life, Mandala and Poem, forming The Buddhist Trilogy – are collected here.
Winner of the Golden Leopard award at the 1970 Locarno Film Festival, This Transient Life is among the Art Theatre Guild's most successful – and most controversial – productions. The film concerns a brother and sister from a rich family who defy the expectations placed on them: he has little interest in further education or his father's business, instead obsessing over Buddhist statues; she continually refuses a string of suitors and the prospect of marriage. Their closeness, and isolation, gives way to an incestuous relationship which, in turn, breeds disaster.
Mandala, Jissôji's first colour feature, maintained the controversial subject matter, focussing on a cult who recruit through rape and hope to achieve true ecstasy through sexual release. Shot, as with all of Jissôji's Art Theatre Guild works, in a radically stylised manner, the film sits somewhere between the pinku genre and the fiercely experimental approach of his Japanese New Wave contemporaries.
The final entry in the trilogy, Poem, returns to black and white and is centred on the austere existence of a young houseboy who becomes helplessly embroiled in the schemes of two brothers. Written by Toshirô Ishidô (screenwriter of Nagisa Ôshima's The Sun's Burial and Shôhei Imamura's Black Rain), who also penned This Transient Life and Mandala, Poem continues the trilogy's exploration of faith in a post-industrial world.
Special Features
- High Definition Blu-ray (1080p) presentations of This Transient Life, Mandala and Poem
- Original uncompressed LPCM mono 1.0 audio on all three films
- Optional English subtitles
- Introductions to all three films by David Desser, author of Eros Plus Massacre: An Introduction to the Japanese New Wave
- Scene-select commentaries on all three films by Desser
- Theatrical trailers for Mandala and Poem
- Reversible sleeve featuring newly commissioned artwork by maarko phntm
- Arrow Video
- 394 mins approx
- Akio Jissoji
- 18
- Kotobuki Hananomoto
- Akiji Kobayashi
- Eiji Okada
- Kôji Shimizu
- Hiroko Sakurai
- Shin Kishida
- Saburô Shinoda
English
- Japanese
- 3
- B
- Arrow Video
Akio Jissôji | The Buddhist Trilogy | Blu-ray
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Arrow Films
Akio Jissôji created a rich and diverse body of work during his five decades in Japan's film and television industries. For some, he is best-known for his science fiction: the 1960s TV series Ultraman and 1988's box-office success Tokyo: The Last Megalopolis. For others, it is his 1990s adaptations of horror and mystery novelist Edogawa Rampo, such as Watcher in the Attic and Murder on D Street. And then there are his New Wave films for the Art Theatre Guild, three of which – This Transient Life, Mandala and Poem, forming The Buddhist Trilogy – are collected here.
Winner of the Golden Leopard award at the 1970 Locarno Film Festival, This Transient Life is among the Art Theatre Guild's most successful – and most controversial – productions. The film concerns a brother and sister from a rich family who defy the expectations placed on them: he has little interest in further education or his father's business, instead obsessing over Buddhist statues; she continually refuses a string of suitors and the prospect of marriage. Their closeness, and isolation, gives way to an incestuous relationship which, in turn, breeds disaster.
Mandala, Jissôji's first colour feature, maintained the controversial subject matter, focussing on a cult who recruit through rape and hope to achieve true ecstasy through sexual release. Shot, as with all of Jissôji's Art Theatre Guild works, in a radically stylised manner, the film sits somewhere between the pinku genre and the fiercely experimental approach of his Japanese New Wave contemporaries.
The final entry in the trilogy, Poem, returns to black and white and is centred on the austere existence of a young houseboy who becomes helplessly embroiled in the schemes of two brothers. Written by Toshirô Ishidô (screenwriter of Nagisa Ôshima's The Sun's Burial and Shôhei Imamura's Black Rain), who also penned This Transient Life and Mandala, Poem continues the trilogy's exploration of faith in a post-industrial world.
Special Features
- High Definition Blu-ray (1080p) presentations of This Transient Life, Mandala and Poem
- Original uncompressed LPCM mono 1.0 audio on all three films
- Optional English subtitles
- Introductions to all three films by David Desser, author of Eros Plus Massacre: An Introduction to the Japanese New Wave
- Scene-select commentaries on all three films by Desser
- Theatrical trailers for Mandala and Poem
- Reversible sleeve featuring newly commissioned artwork by maarko phntm
- Arrow Video
- 394 mins approx
- Akio Jissoji
- 18
- Kotobuki Hananomoto
- Akiji Kobayashi
- Eiji Okada
- Kôji Shimizu
- Hiroko Sakurai
- Shin Kishida
- Saburô Shinoda
English
- Japanese
- 3
- B
- Arrow Video
Customer Reviews
Top Customer Reviews
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Top Japanese cinema
Top Japanese cinema from a bygone era. These type of filmmakers do not seem to be born or at least having a chance to movies like this. Arrow of course presented these films the way they are supposed to be presented.
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Fantastic set
It’s niche, so won’t be for everyone who loves Arrow’s usual output, but it’s another fantastic release from Arrow Academy with three amazing films.
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