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[Universal logo is drowned by a screen of red, which then displays the Legendary logo.]
[Indistinct whispering as the camera pans on Allerdale Hall, a remote dilapidated mansion in Cumberland, England.]
[Close-up shots on the mansion's interiors.] Edith Cushing, off-screen: Ghosts are real. That much, I know.
[A caption on screen reads, ""From Visionary Director Guillermo del Toro"".]
[Close-up on Edith, an American young woman, as she looks at a photograph of a family of three with faded faces.] Edith: I've seen them all my life.
[A caption reads, ""'Gorgeous and terrifying... it electrified me', Stephen King.""
[At Allerdale Hall, close-up on a handle rattling and the door being opened seemingly by no one. Edith sits on the bed as she sees this happening.] Ghost, whispering: Beware of Crimson Peak.
[At a sumptuous ball, Thomas Sharpe, an English baronet, asks Edith for a dance.] Thomas: Would you be mine?
[Carter Cushing, Edith's father, and Edith's childhood friend Dr. Alan McMichael, look on as Thomas and Edith meet.]
[At the ball, Thomas introduces Edith to his sister Lucille Sharpe.] Thomas: Edith, this is my sister.
[Edith and Thomas dance together holding a candle, which Edith then blows. Close-up on them both as they kiss.]
[Lucille, dressed in crimson, sits at the piano at the ball. Then outdoors on a sunny day, Thomas and Lucille talk.] Lucille: I don't think she's the right choice. Thomas: You have to trust me.
[A carriage loaded with suitcases arrives at Allerdale Hall, which is covered in snow.]
[Inside the mansion, Thomas and Lucille welcome Edith to her new home.] Lucille: Thomas, your bride is frozen.
[In the kitchen, the three talk.] Thomas: I'll run you a hot bath.
[Edith turns the hot water tap on in the bath, and clanging starts]
[Crimson-colored water bursts from the hot water tap. Edith gasps]
[A female figure dressed in black peaks at the bathroom door as Edith starts to undress. She turns around abruptly after sensing she's being watched.]
[In the kitchen, Lucille talks to Edith. Lucille: There are parts of the house that are unsafe. [She clutches a bundle of keys attached to her waist.]
[Edith looks up from the indoors lift shaft, and the camera pans over a long corridor at Allerdale Hall as the wind howls outside.]
[In a room, Thomas attends to the logs in the fireplace as Edith goes to him.] Edith, whispering: What was that?
[A wide outside shot of Allerdale Hall covered in snow at night.] Thomas: A house as old as this one...
[Shots of the clay mines which sit under Allerdale Hall, with crimson clay oozing out of them.] Thomas: ...becomes in time...
[Close-up on Lucille, as she looks on warily.] Thomas: ...a living thing.
[Thomas and Edith talk in the kitchen.] Thomas: Never go below this level.
[At night holding a lit candlestick, Edith takes the lift inside the house to a level below. She finds a cupboard containing a wooden box.]
[Edith finds photographs inside the box, one of Thomas and another woman.] Thomas, off-screen: It starts holding on to things.
[In the day, outside the mansion, Edith and Thomas talk.] Edith: Has anyone died in this house?
[Close-up on a bloody hand and a cleaver, then of Edith's father Carter in the bathroom of a private sports club, startingly looking at a woman dressed in black putting on a glove.] Edith, off-screen: Specific deaths, violent deaths.
[In an office, Alan and Edith talk.] Alan: In your own best interest, proceed with caution. [At Carter's funeral in the rain, Alan greets Edith and Thomas from a distance, as Thomas greets Alan back whilst embracing a distraught Edith.]
Thomas: Keeping them alive when they shouldn't be. [Close-up on a rocking chair in a dusty room.]
[At night in Allerdale Hall, Edith wanders the corridors holding a lit candlestick.] Edith: If you're here with me, give me a signal.
[Day at the mansion. Edith is startled by a crimson silhouette. At night, Edith looks at a photograph of an infant laying with closed eyes.]
[At the mansion, Lucille talks to Thomas.] Lucille: She knows everything. [At night, Edith runs through the mansion's corridors. Close-up on her as she shuts a door and breathes heavily.]
[Allerdale Hall under heavy snowfall, as the ground turns red due to the clay mines under it.]
Thomas, off-screen: Do we have to do this? [Inside the mansion, Edith looks on as a bloody figure emerges from the floor.]
[A piano key is struck by seemingly no one. Thomas sits next to Lucille on the piano stool.] Thomas: Must we? Lucille: Yes.
[The bloody figure now sits in the bath with a cleaver stuck in its head.]
[Quick shots in succession of Edith looking scared, as she finds a body in a clay mine.] Lucille, off-screen: You have no idea what they'd do.
[A ghost of a woman plays the piano.]
[Behind a door, a scared Edith.] Edith: What do you want?
[A ghost's hands burst through the door and grab Edith.]
[Edith slams open the doors of Allerdale Hall and walks out of it into the snow in her nightdress.]
[Close-up on Edith and Thomas making love in their marital bed.]
[Outside by mining digging machines, now in a crimson-stained nightdress, Edith looks on startingly as she holds a bloody knife. The snow is crimson-colored.]
[Quick succession of shots of Lucille, then of Thomas in the lift with an injured Alan, and finally of Edith pointing a knife.]
[In a room with a lit fireplace, Thomas and Lucille comfort a scared Edith.] Edith: I have to leave.
[Quick succession of shots of a ghost's feet, Edith running, Lucille with a knife, a ghost floating in the air, and Edith falling from a balcony.]
[In the room with the fireplace.] Lucille: You have nowhere else to go. This is your home now.
[Edith whimpers in a bed as a ghost embraces her.]
[A caption reads, ""Crimson Peak"", then ""October 2015"".]
[A caption displays several film credits.]
Arrow Films
From the imagination of Oscar-winning director Guillermo del Toro (Pan's Labyrinth, The Shape of Water) comes Crimson Peak, a lavish, stunningly realized journey into the dark heart of Gothic romance...
Beginning in Buffalo, New York, during the 1880s, Crimson Peak stars Mia Wasikowska (Alice in Wonderland, Stoker) as Edith Cushing, an aspiring writer who is haunted by the death of her mother. Edith falls in love with seductive stranger Thomas Sharpe (Tom Hiddleston, The Avengers), who whisks her off to Allerdale Hall, his baronial, yet dilapidated English mansion built upon a mountain of blood-red clay. Here Edith meets Lucille (Jessica Chastain, Zero Dark Thirty), Thomas's sister who at times seems hostile and jealous. As Edith struggles to feel at home in the imposing residence, she gradually uncovers a horrendous family secret and encounters supernatural forces that will help her discover the terrible truth behind Crimson Peak.
Boasting incredibly intricate and ornate production design and a rich visual style, del Toro's film is a grandiose, boldly baroque triumph of Gothic decadence, which expertly combines and contrasts the sublimely beautiful with the shockingly grotesque. Crimson Peak is presented here with a wealth of extra features, affording unprecedented insight into the making of this modern Gothic classic.
Special Edition Content:
- High Definition Blu-ray (1080p) presentation
- Original 7.1 DTS:X and 2.0 DTS Headphone:X audio
- Optional English subtitles for the deaf and hard of hearing
- Optional Descriptive Video Service® (DVS®) for the visually impaired
- Audio commentary by co-writer and director Guillermo del Toro
- The House is Alive: Constructing Crimson Peak, a feature-length documentary with cast and crew interviews and extensive behind the scenes footage
- Spanish language interview with Guillermo del Toro
- The Gothic Corridor, The Scullery, The Red Clay Mines, The Limbo Fog Set; four featurettes exploring different aspects of Allerdale Hall
- A Primer on Gothic Romance, the director and stars talk about the key traits of Gothic romance
- The Light and Dark of Crimson Peak, the cast and crew talk about the film's use of color
- Hand Tailored Gothic, a featurette on the film's striking costumes
- A Living Thing, a look at the design, modeling and construction of the Allerdale Hall sets
- Beware of Crimson Peak, a walking tour around Allerdale Hall with Tom Hiddleston
- Crimson Phantoms, a featurette on the film's amazing ghosts
- Kim Newman on Crimson Peak and the Tradition of Gothic Romance, an interview with the author and critic
- Violence and Beauty in Guillermo del Toro's Gothic Fairy Tale Films, a video essay by the writer Kat Ellinger
- Deleted scenes
- Image gallery
- Original trailers and TV spots
- Reversible sleeve featuring original and exclusive artwork by Artist Guy Davis
- Arrow Video
- 119 mins approx
- 15
- 1.85:1
- English
- 1
- Arrow Video
- Guillermo del Toro
- Mia Wasikowska
- Jessica Chastain
- Tom Hiddleston
- Charlie Hunnam
- English SDH
- 2015
- B
Crimson Peak Blu-ray
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[Universal logo is drowned by a screen of red, which then displays the Legendary logo.]
[Indistinct whispering as the camera pans on Allerdale Hall, a remote dilapidated mansion in Cumberland, England.]
[Close-up shots on the mansion's interiors.] Edith Cushing, off-screen: Ghosts are real. That much, I know.
[A caption on screen reads, ""From Visionary Director Guillermo del Toro"".]
[Close-up on Edith, an American young woman, as she looks at a photograph of a family of three with faded faces.] Edith: I've seen them all my life.
[A caption reads, ""'Gorgeous and terrifying... it electrified me', Stephen King.""
[At Allerdale Hall, close-up on a handle rattling and the door being opened seemingly by no one. Edith sits on the bed as she sees this happening.] Ghost, whispering: Beware of Crimson Peak.
[At a sumptuous ball, Thomas Sharpe, an English baronet, asks Edith for a dance.] Thomas: Would you be mine?
[Carter Cushing, Edith's father, and Edith's childhood friend Dr. Alan McMichael, look on as Thomas and Edith meet.]
[At the ball, Thomas introduces Edith to his sister Lucille Sharpe.] Thomas: Edith, this is my sister.
[Edith and Thomas dance together holding a candle, which Edith then blows. Close-up on them both as they kiss.]
[Lucille, dressed in crimson, sits at the piano at the ball. Then outdoors on a sunny day, Thomas and Lucille talk.] Lucille: I don't think she's the right choice. Thomas: You have to trust me.
[A carriage loaded with suitcases arrives at Allerdale Hall, which is covered in snow.]
[Inside the mansion, Thomas and Lucille welcome Edith to her new home.] Lucille: Thomas, your bride is frozen.
[In the kitchen, the three talk.] Thomas: I'll run you a hot bath.
[Edith turns the hot water tap on in the bath, and clanging starts]
[Crimson-colored water bursts from the hot water tap. Edith gasps]
[A female figure dressed in black peaks at the bathroom door as Edith starts to undress. She turns around abruptly after sensing she's being watched.]
[In the kitchen, Lucille talks to Edith. Lucille: There are parts of the house that are unsafe. [She clutches a bundle of keys attached to her waist.]
[Edith looks up from the indoors lift shaft, and the camera pans over a long corridor at Allerdale Hall as the wind howls outside.]
[In a room, Thomas attends to the logs in the fireplace as Edith goes to him.] Edith, whispering: What was that?
[A wide outside shot of Allerdale Hall covered in snow at night.] Thomas: A house as old as this one...
[Shots of the clay mines which sit under Allerdale Hall, with crimson clay oozing out of them.] Thomas: ...becomes in time...
[Close-up on Lucille, as she looks on warily.] Thomas: ...a living thing.
[Thomas and Edith talk in the kitchen.] Thomas: Never go below this level.
[At night holding a lit candlestick, Edith takes the lift inside the house to a level below. She finds a cupboard containing a wooden box.]
[Edith finds photographs inside the box, one of Thomas and another woman.] Thomas, off-screen: It starts holding on to things.
[In the day, outside the mansion, Edith and Thomas talk.] Edith: Has anyone died in this house?
[Close-up on a bloody hand and a cleaver, then of Edith's father Carter in the bathroom of a private sports club, startingly looking at a woman dressed in black putting on a glove.] Edith, off-screen: Specific deaths, violent deaths.
[In an office, Alan and Edith talk.] Alan: In your own best interest, proceed with caution. [At Carter's funeral in the rain, Alan greets Edith and Thomas from a distance, as Thomas greets Alan back whilst embracing a distraught Edith.]
Thomas: Keeping them alive when they shouldn't be. [Close-up on a rocking chair in a dusty room.]
[At night in Allerdale Hall, Edith wanders the corridors holding a lit candlestick.] Edith: If you're here with me, give me a signal.
[Day at the mansion. Edith is startled by a crimson silhouette. At night, Edith looks at a photograph of an infant laying with closed eyes.]
[At the mansion, Lucille talks to Thomas.] Lucille: She knows everything. [At night, Edith runs through the mansion's corridors. Close-up on her as she shuts a door and breathes heavily.]
[Allerdale Hall under heavy snowfall, as the ground turns red due to the clay mines under it.]
Thomas, off-screen: Do we have to do this? [Inside the mansion, Edith looks on as a bloody figure emerges from the floor.]
[A piano key is struck by seemingly no one. Thomas sits next to Lucille on the piano stool.] Thomas: Must we? Lucille: Yes.
[The bloody figure now sits in the bath with a cleaver stuck in its head.]
[Quick shots in succession of Edith looking scared, as she finds a body in a clay mine.] Lucille, off-screen: You have no idea what they'd do.
[A ghost of a woman plays the piano.]
[Behind a door, a scared Edith.] Edith: What do you want?
[A ghost's hands burst through the door and grab Edith.]
[Edith slams open the doors of Allerdale Hall and walks out of it into the snow in her nightdress.]
[Close-up on Edith and Thomas making love in their marital bed.]
[Outside by mining digging machines, now in a crimson-stained nightdress, Edith looks on startingly as she holds a bloody knife. The snow is crimson-colored.]
[Quick succession of shots of Lucille, then of Thomas in the lift with an injured Alan, and finally of Edith pointing a knife.]
[In a room with a lit fireplace, Thomas and Lucille comfort a scared Edith.] Edith: I have to leave.
[Quick succession of shots of a ghost's feet, Edith running, Lucille with a knife, a ghost floating in the air, and Edith falling from a balcony.]
[In the room with the fireplace.] Lucille: You have nowhere else to go. This is your home now.
[Edith whimpers in a bed as a ghost embraces her.]
[A caption reads, ""Crimson Peak"", then ""October 2015"".]
[A caption displays several film credits.]
Arrow Films
From the imagination of Oscar-winning director Guillermo del Toro (Pan's Labyrinth, The Shape of Water) comes Crimson Peak, a lavish, stunningly realized journey into the dark heart of Gothic romance...
Beginning in Buffalo, New York, during the 1880s, Crimson Peak stars Mia Wasikowska (Alice in Wonderland, Stoker) as Edith Cushing, an aspiring writer who is haunted by the death of her mother. Edith falls in love with seductive stranger Thomas Sharpe (Tom Hiddleston, The Avengers), who whisks her off to Allerdale Hall, his baronial, yet dilapidated English mansion built upon a mountain of blood-red clay. Here Edith meets Lucille (Jessica Chastain, Zero Dark Thirty), Thomas's sister who at times seems hostile and jealous. As Edith struggles to feel at home in the imposing residence, she gradually uncovers a horrendous family secret and encounters supernatural forces that will help her discover the terrible truth behind Crimson Peak.
Boasting incredibly intricate and ornate production design and a rich visual style, del Toro's film is a grandiose, boldly baroque triumph of Gothic decadence, which expertly combines and contrasts the sublimely beautiful with the shockingly grotesque. Crimson Peak is presented here with a wealth of extra features, affording unprecedented insight into the making of this modern Gothic classic.
Special Edition Content:
- High Definition Blu-ray (1080p) presentation
- Original 7.1 DTS:X and 2.0 DTS Headphone:X audio
- Optional English subtitles for the deaf and hard of hearing
- Optional Descriptive Video Service® (DVS®) for the visually impaired
- Audio commentary by co-writer and director Guillermo del Toro
- The House is Alive: Constructing Crimson Peak, a feature-length documentary with cast and crew interviews and extensive behind the scenes footage
- Spanish language interview with Guillermo del Toro
- The Gothic Corridor, The Scullery, The Red Clay Mines, The Limbo Fog Set; four featurettes exploring different aspects of Allerdale Hall
- A Primer on Gothic Romance, the director and stars talk about the key traits of Gothic romance
- The Light and Dark of Crimson Peak, the cast and crew talk about the film's use of color
- Hand Tailored Gothic, a featurette on the film's striking costumes
- A Living Thing, a look at the design, modeling and construction of the Allerdale Hall sets
- Beware of Crimson Peak, a walking tour around Allerdale Hall with Tom Hiddleston
- Crimson Phantoms, a featurette on the film's amazing ghosts
- Kim Newman on Crimson Peak and the Tradition of Gothic Romance, an interview with the author and critic
- Violence and Beauty in Guillermo del Toro's Gothic Fairy Tale Films, a video essay by the writer Kat Ellinger
- Deleted scenes
- Image gallery
- Original trailers and TV spots
- Reversible sleeve featuring original and exclusive artwork by Artist Guy Davis
- Arrow Video
- 119 mins approx
- 15
- 1.85:1
- English
- 1
- Arrow Video
- Guillermo del Toro
- Mia Wasikowska
- Jessica Chastain
- Tom Hiddleston
- Charlie Hunnam
- English SDH
- 2015
- B
Customer Reviews
Top Customer Reviews
Where reviews refer to foods or cosmetic products, results may vary from person to person. Customer reviews are independent and do not represent the views of The Hut Group.
Beautiful but flawed
You can never fault Guillermo del Toro's hauntingly beautiful sets and fantastic creatures, no matter the movie - Crimson Peak is definitely no exception in those regards. Also, the performers are all very photogenic and the acting is great, especially from Jessica Chastain who really stood out. My only real criticism is the slightly thin and ultimately predictable plot, which dulls any chance of suspense. As always the blu-ray picture and sounds quality, and box presentation, from Arrow are great.
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