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A car drives down an empty street and stops by a man waiting on the corner.
A caption reads: Berlin. Wanton Murder.
Dramatic music plays.
The driver shoots the man and the car drives away.
A caption reads: Los Angeles. Ambush.
A man enters a dark room. From behind a man pulls his shoulder then throws a punch at him. The attacked man fights back before another figure appears and punches him onto a bed.
Police carry boxes of shrimp out of a room.
A caption reads: And behind it... The counterfeit ring
Three men inspect money.
A caption reads: That could only be cracked outside the law
John, a man in military clothing, is stting in an office. A man hands him a banknote which John inspects.
Well, what about it?
It's the most perfectly reproduced counterfeit we've ever seen.
What has that got to do with me?
If you cooperate it means a full pardon.
A caption reads: Outside the Law
A man uses a projector to show a close-up of two counterfeit bank notes to a room full of people.
Those three digits have never been changed. 132, remember them.
15 years of blind alleys, 15 years of hazard and failure...
A group of men in a factory.
...and death in the line of duty.
A man runs towards a car and fires. He shoots through the glass, hitting the driver.
Two men stand in front of a map of Los Angeles.
And now the T-Men were risking all in one last desperate try.
A group of men, all looking pensive.
Pitting an ex-convict and a woman of the shadows against the counterfeit ring...
John punches a man in front of him.
And it's worldwide traffic in broken lives.
Maria stands in front of John.
What am I supposed to tell you?
Everything you know about Bormann and Kastner in a sweet, little counterfeiting setup that's spreading phony money all over Europe.
Johnny who are you?
Maria walks outside to a car park where a man approaches her.
You're forgetting a lot of things aren't you Maria?
She turns in surprise.
Don't walk out on me Maria. I'll kill you both if you do.
John, with a large bruise on his face, speaks with a detective.
Just let me find out about Maria Craven in my own way.
No Johnny, there's nothing you can do.
I'm not so sure.
I told you I didn't want you to get hurt. It's not worth taking a chance.
John and Maria stand at a train station. A man approaches them.
At the side, we see the man who spoke with Maria earlier. He has a gun hidden under a newspaper. It is pointed at the couple.
He fires.
The man who approached John and Maria collapses as people scream and flee.
The shooter runs away.
A caption reads: His bargain with the law was forgotten.
The shot man is alive. John leaves him with Maria and heads off in pursuit.
John sees the figure inbetween two trucks and fires then runs after him.
A caption reads: Now vengeance alone
They both fire at each other, hiding behind the trucks.
A caption reads: Drove him again against a killer's cold rage
The two men fight against each other on the floor.
John enters a room full of detectives at the police station.
A caption reads: Ray Danton. Leigh Snowden. Grant Williams with Onslow Stevens in
A man exits a taxi.
Arrow Video
Vengeful army vets, ruthless organised criminals, and desperate parent-child psychodramas await you in these four classics from noir streets less travelled.
In Calcutta (1946), Neale (Alan Ladd, Shane), a cynical cargo pilot, investigates the murder of a close friend and finds himself falling into the arms of his late friend’s mysterious fiancée, Virginia (Gail Russell, The Uninvited). When he connects the murder to a ring of illicit jewellery-smugglers, he becomes their next target. Is Virginia as innocent and vulnerable as she seems? In Ride the Pink Horse (1947), Gagin (Robert Montgomery, Lady in the Lake), a surly former Gi, goes after the crime boss who murdered his friend. His gambit: to put the screws to the gangster with the same extortion plot that got Gagin’s buddy killed.
This time things have to end differently, right? In Outside the Law (1956), Johnny Salvo, (Ray Danton, The Longest Day), a convict paroled into military service, is called back stateside on a mission that could clear his record: get inside the counterfeiting racket that killed his army buddy. Not only is the assignment dangerous, but Salvo’s got to work for the cop who put him behind bars - his own estranged father. Finally, in The Female Animal (1958), a glamorous movie star (Hedy Lamarr, Samson and Delilah) and her alcoholic daughter (Jane Powell, Seven Brides for Seven Brothers) vie for the affections of a handsome young movie extra (George Nader, Robot Monster) who has entered their lives. When the older woman generously opens her lifestyle to the young man, his insecurities feed his ambivalence. When he ends up in the arms of her daughter, disaster looms.
This collection of noir’s neglected treasures doesn’t stick to the city streets: from smuggling contraband in the skies over Asia to drowning beneath the torrent of a Hollywood waterfall, the genre’s darkness lurks everywhere.
Product Features
- High Definition (1080p) Blu-ray presentations of four films: Calcutta, Ride the Pink Horse, Outside the Law and The Female Animal
- Original lossless mono audio on all films
- Optional English subtitles for the deaf and hard of hearing on all films
- Audio commentaries by leading scholars and critics Nick Pinkerton (Calcutta), Josh Nelson (Ride the Pink Horse), Richard Harland Smith (Outside the Law) and David Del Valle (The Female Animal)
- Brand new visual essay on Calcutta by critic Jon Towlson
- Brand new visual essays on Ride the Pink Horse and The Female Animal by author and critic Alexandra Heller-Nicholas
- Brand new visual essay on Outside the Law by author and producer Kat Ellinger
- Vintage radio play version of Ride the Pink Horse, starring Robert Montgomery, Wanda Hendrix and Thomas Gomez
- Theatrical trailers
- Image galleries
- Limited edition packaging with reversible sleeves featuring original and newly commissioned artwork by Scott Saslow
- Double-sided fold-out posters for each film featuring original and newly commissioned artwork by Scott Saslow
- Limited edition hardback collector’s book featuring new writing on the films by film critics Andrew Graves, Jon Towlson, Barry Forshaw and Nora MacIntyre
- Arrow Video
- 349 mins approx
- John Farrow
- Robert Montgomery
- Jack Arnold
- Harry Keller
- 12
- Alan Ladd
- Gail Russell
- Robert Montgomery
- Wanda Hendrix
- Andrea King
- Ray Danton
- Leigh Snowden
- 1.37:1
- English SDH
- 1946
- English
- 4
- B
- Arrow Video
Film Noir Collection Vol. 3 Limited Edition
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A car drives down an empty street and stops by a man waiting on the corner.
A caption reads: Berlin. Wanton Murder.
Dramatic music plays.
The driver shoots the man and the car drives away.
A caption reads: Los Angeles. Ambush.
A man enters a dark room. From behind a man pulls his shoulder then throws a punch at him. The attacked man fights back before another figure appears and punches him onto a bed.
Police carry boxes of shrimp out of a room.
A caption reads: And behind it... The counterfeit ring
Three men inspect money.
A caption reads: That could only be cracked outside the law
John, a man in military clothing, is stting in an office. A man hands him a banknote which John inspects.
Well, what about it?
It's the most perfectly reproduced counterfeit we've ever seen.
What has that got to do with me?
If you cooperate it means a full pardon.
A caption reads: Outside the Law
A man uses a projector to show a close-up of two counterfeit bank notes to a room full of people.
Those three digits have never been changed. 132, remember them.
15 years of blind alleys, 15 years of hazard and failure...
A group of men in a factory.
...and death in the line of duty.
A man runs towards a car and fires. He shoots through the glass, hitting the driver.
Two men stand in front of a map of Los Angeles.
And now the T-Men were risking all in one last desperate try.
A group of men, all looking pensive.
Pitting an ex-convict and a woman of the shadows against the counterfeit ring...
John punches a man in front of him.
And it's worldwide traffic in broken lives.
Maria stands in front of John.
What am I supposed to tell you?
Everything you know about Bormann and Kastner in a sweet, little counterfeiting setup that's spreading phony money all over Europe.
Johnny who are you?
Maria walks outside to a car park where a man approaches her.
You're forgetting a lot of things aren't you Maria?
She turns in surprise.
Don't walk out on me Maria. I'll kill you both if you do.
John, with a large bruise on his face, speaks with a detective.
Just let me find out about Maria Craven in my own way.
No Johnny, there's nothing you can do.
I'm not so sure.
I told you I didn't want you to get hurt. It's not worth taking a chance.
John and Maria stand at a train station. A man approaches them.
At the side, we see the man who spoke with Maria earlier. He has a gun hidden under a newspaper. It is pointed at the couple.
He fires.
The man who approached John and Maria collapses as people scream and flee.
The shooter runs away.
A caption reads: His bargain with the law was forgotten.
The shot man is alive. John leaves him with Maria and heads off in pursuit.
John sees the figure inbetween two trucks and fires then runs after him.
A caption reads: Now vengeance alone
They both fire at each other, hiding behind the trucks.
A caption reads: Drove him again against a killer's cold rage
The two men fight against each other on the floor.
John enters a room full of detectives at the police station.
A caption reads: Ray Danton. Leigh Snowden. Grant Williams with Onslow Stevens in
A man exits a taxi.
Arrow Video
Vengeful army vets, ruthless organised criminals, and desperate parent-child psychodramas await you in these four classics from noir streets less travelled.
In Calcutta (1946), Neale (Alan Ladd, Shane), a cynical cargo pilot, investigates the murder of a close friend and finds himself falling into the arms of his late friend’s mysterious fiancée, Virginia (Gail Russell, The Uninvited). When he connects the murder to a ring of illicit jewellery-smugglers, he becomes their next target. Is Virginia as innocent and vulnerable as she seems? In Ride the Pink Horse (1947), Gagin (Robert Montgomery, Lady in the Lake), a surly former Gi, goes after the crime boss who murdered his friend. His gambit: to put the screws to the gangster with the same extortion plot that got Gagin’s buddy killed.
This time things have to end differently, right? In Outside the Law (1956), Johnny Salvo, (Ray Danton, The Longest Day), a convict paroled into military service, is called back stateside on a mission that could clear his record: get inside the counterfeiting racket that killed his army buddy. Not only is the assignment dangerous, but Salvo’s got to work for the cop who put him behind bars - his own estranged father. Finally, in The Female Animal (1958), a glamorous movie star (Hedy Lamarr, Samson and Delilah) and her alcoholic daughter (Jane Powell, Seven Brides for Seven Brothers) vie for the affections of a handsome young movie extra (George Nader, Robot Monster) who has entered their lives. When the older woman generously opens her lifestyle to the young man, his insecurities feed his ambivalence. When he ends up in the arms of her daughter, disaster looms.
This collection of noir’s neglected treasures doesn’t stick to the city streets: from smuggling contraband in the skies over Asia to drowning beneath the torrent of a Hollywood waterfall, the genre’s darkness lurks everywhere.
Product Features
- High Definition (1080p) Blu-ray presentations of four films: Calcutta, Ride the Pink Horse, Outside the Law and The Female Animal
- Original lossless mono audio on all films
- Optional English subtitles for the deaf and hard of hearing on all films
- Audio commentaries by leading scholars and critics Nick Pinkerton (Calcutta), Josh Nelson (Ride the Pink Horse), Richard Harland Smith (Outside the Law) and David Del Valle (The Female Animal)
- Brand new visual essay on Calcutta by critic Jon Towlson
- Brand new visual essays on Ride the Pink Horse and The Female Animal by author and critic Alexandra Heller-Nicholas
- Brand new visual essay on Outside the Law by author and producer Kat Ellinger
- Vintage radio play version of Ride the Pink Horse, starring Robert Montgomery, Wanda Hendrix and Thomas Gomez
- Theatrical trailers
- Image galleries
- Limited edition packaging with reversible sleeves featuring original and newly commissioned artwork by Scott Saslow
- Double-sided fold-out posters for each film featuring original and newly commissioned artwork by Scott Saslow
- Limited edition hardback collector’s book featuring new writing on the films by film critics Andrew Graves, Jon Towlson, Barry Forshaw and Nora MacIntyre
- Arrow Video
- 349 mins approx
- John Farrow
- Robert Montgomery
- Jack Arnold
- Harry Keller
- 12
- Alan Ladd
- Gail Russell
- Robert Montgomery
- Wanda Hendrix
- Andrea King
- Ray Danton
- Leigh Snowden
- 1.37:1
- English SDH
- 1946
- English
- 4
- B
- Arrow Video
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