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Sound of a storm.
Close-up on an eye.
Standing in the rain, a man removes a gun from his poncho.
He points it through a wooden fence.
He shoots something causing a huge explosion.
Spaghetti western music plays.
A caption reads: "10,000 Dollars Blood Money"
A wagon is being pulled by horses.
A convoy of wagons and horses ride through the desert.
One wagon rides through a valley when a explosion happens to the side.
Horse riders continue on their journey amidst the smoke.
Boulders start to fall down and fill the path.
A large avalanche of dust appears.
A horse rears up and whinnies. It freezes.
A caption reads: "10,000 Dollars Blood Money"
A man in the shadows talks with Django.
Alright. And you? What's your starting price?
Django slowly lights a cigarette in his mouth with a match.
10,000 minimum.
I see.
Django fights outside with a bandit. They punch each other.
The bandit falls into a pile of straw in a barn. Django follows and they continue to fight.
An old man with a large hat and drooping moustache laughs. He then becomes serious and nods.
A man attacks Django from behind with the butt of his gun.
Django falls to his knees and the old man kicks him onto his back.
A tanned, scruffy cowboy holds a man by the shoulders and looks at him intently. He brings him in for a hug which makes the other man relieved. The cowboy then throws him against a door which he falls through.
The cowboy walks after him and throws him again.
A tender, guitar song plays.
That's enough.
A cowboy struggles with a woman. They both look each other in the eye.
Django is distracted by an attractive, red-headed women who appears beside him.
A man fires a gun and shoots at a set of pots in another building.
Django stands at the door and fires his gun, shooting the man.
That's enough.
Django is curled up in a barrel which rolls forward and he shoots a bandit who falls to the floor.
A group playing cards. The old man puts a note onto the table. He spits out something from his mouth. He then notices something in the corner and fires his gun at it.
Django appears from the shadows.
You don't have to kill anymore.
It freezes on Django's face.
A caption reads: "10,000 Dollars Blood Money"
No more.
A cowboy rides through a dry, hilly area.
A view from the floor, we see three men approach two men who have arrived in their town on horses.
There's no rule that you have to kill people like yourself.
The old man approaches the man on the horse and whispers to him. They both look in the same direction.
There is hatted figure hiding behind a barrel.
Don't forget that one day the heavens will judge you.
The cowboy walks slowly towards him.
Suddenly, from up high Django appears and fires towards him.
And what you do.
The cowboy is shocked and drops his gun.
Django, up high, shouts down to them.
Drop your guns!
The group stand around looking up at him.
The party's over. You too, Stardust!
That's enough.
We zoom in on a scorpion walking across the sand.
Django is buried up to his neck in the sand and he watches the scorpion carefully.
The scorpion continues to walk towards him.
Django tries to avoid looking at it.
We zoom in on Django's eyes. He closes them.
You don't have to kill anymore.
The scorpion is closer to his face.
The scorpion raises its pincers in their air and is very close to Django.
A caption reads: "10,000 Dollars Blood Money"
No more.
A caption reads: with Gary Hudson
A caption reads: Loredana Nusciak
A caption reads: Claudio Camaso
Hey! Hey man! Hey man!
A caption reads: and with the extraordinary participation of Fernando Sancho
Don't forget about God!
A caption reads: A production Zenith Cinematografica Flora Film.
Hey man! Hey man!
A caption reads: A film directed by Romolo Guerrieri
Don't forget about him!
A caption reads: Distributed by Variety Film
Hey!
A caption reads: Coming soon to this screen.
Arrow Video
In the mid-1960s, the runaway success of Sergio Leone's "Dollars" trilogy gave rise to an explosion of similar productions. Filmmakers by the dozen sought to capitalize on this new, uniquely Italian take on the western, which was characterized by their deeply cynical outlook, morally compromised antiheroes and unflinching depictions of savage violence. This specially curated selection gathers together four outstanding examples of the genre from the height of its popularity, all centered around the theme of blood money.
In Romolo Guerrieri's $10,000 Blood Money (1967; a.k.a. $10,000 for a Massacre), Gianni Garko - best known for his portrayal of supernatural gunslinger Sartana - takes on the part of another beloved western antihero, Django, who is on the trail of bandit Manuel Vasquez (Claudio Camaso, A Bay of Blood). But what started as a job for hire soon turns personal, with Django swearing vengeance against the unscrupulous outlaw. Then, in the film's spiritual successor, Giovanni Fago's Vengeance is Mine (1967; a.k.a. $100,000 for a Killing), Garko and Camaso once again lead the cast, this time as estranged half-brothers - one a Confederate soldier now riding with renegade outlaws, the other a bounty hunter tasked with bringing him in alive.
Next, in Giuliano Carnimeo's Find a Place to Die (1968), Jeffrey Hunter (The Searchers) plays Joe Collins, a disgraced former soldier who assembles a ragtag band of scoundrels. They are lured into helping a woman (Pascale Petit, A Queen for Caesar) to rescue her prospector husband, who is trapped at their gold mine cave-in - though in reality, they have designs on the gold strike themselves. Finally, in Cesare Canevari's psychedelic Matalo! (Kill Him) (1970), double- and triple-crosses abound as a band of outlaws, having holed up in an isolated ghost town, set about terrorizing travelers Ray (Lou Castel, Orgasmo) and Bridget (Ana María Mendoza, 7 Women for the MacGregors) - only to get more than they bargained for when Ray fights back, armed only with his weapon of choice: a bag full of boomerangs.
Featuring a wealth of key Euro-cult talent both behind and in front of the camera, Arrow Films is proud to present these four classic westerns in sparkling High Definition restorations produced specially for this release, alongside a plethora of brand new bonus materials.
Product Features
- High Definition Blu-ray™ (1080p) presentations of all four films
- Brand new 2K restorations of all four films from the original 35mm camera negatives by Arrow Films
- Original Italian and English front and end titles
- Restored lossless original Italian and English soundtracks
- English subtitles for the Italian soundtracks
- English subtitles for the deaf and hard of hearing for the English soundtracks
- Brand new introductions to each film by journalist and critic Fabio Melelli
- Galleries for all four films
- Illustrated collector's booklet featuring new writing by author and critic Howard Hughes
- Fold-out double-sided poster featuring newly commissioned artwork by Gilles Vranckx
- Limited edition packaging with reversible sleeves featuring original artwork and a slipcover featuring newly commissioned artwork by Gilles Vranckx
DISC 1 - $10,000 BLOOD MONEY
- Brand new audio commentary by author and film historian Lee Broughton
- Tears of Django - newly edited featurette with archival interviews with director Romolo Guerrieri and actor Gianni Garko
- The Producer Who Didn't Like Western Movies - brand new interview with producer Mino Loy
- How the West Was Won - brand new interview with screenwriter Ernesto Gastaldi
- Theatrical trailer
DISC 2 - VENGEANCE IS MINE
- Brand new audio commentary by critics Adrian J. Smith and David Flint
- Cain and Abel - newly edited featurette with archival interviews with actor Gianni Garko and screenwriter Ernesto Gastaldi
- In Conversation with Nora Orlandi - newly edited archival interview with the film's iconic composer
- Movie After Movie - brand new interview with producer Mino Loy
- Theatrical trailer
DISC 3 - FIND A PLACE TO DIE
- Brand new audio commentary by author and critic Howard Hughes
- Sons of Leone - newly edited archival interview with director Giuliano Carnimeo
- Traditional Figure - brand new, in-depth appreciation of the soundtrack and its composer, Gianni Ferrio, by musician and disc collector Lovely Jon
DISC 4 - MATALO! (KILL HIM)
- Brand new audio commentary by critics Troy Howarth and Nathaniel Thompson
- A Milanese Story - brand new, in-depth interview with filmmaker Davide Pulici, discussing the career of Matalo! director Cesare Canevari
- Untold Icon - brand new, in-depth appreciation of the soundtrack and its composer, Mario Migliardi, by musician and disc collector Lovely Jon
- Theatrical trailer
- Arrow Video
- 370 mins approx
- Romolo Guerrieri
- Giovanni Fago
- Giuliano Carnimeo
- Cesare Canevari
English
- 15
- Gianni Garko
- Loredana Nusciak
- Claudio Camaso
- Claudie Lange
- Jeffrey Hunter
- Pascale Petit
- Lou Castel
- Ana MarÃa Mendoza
English, English SDH
- 2.35:1, 1.85:1
- 1967
- Italian
- 4
- A
- B
- Arrow Video
Blood Money - Four Western Classics Vol. 2 Limited Edition
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Sound of a storm.
Close-up on an eye.
Standing in the rain, a man removes a gun from his poncho.
He points it through a wooden fence.
He shoots something causing a huge explosion.
Spaghetti western music plays.
A caption reads: "10,000 Dollars Blood Money"
A wagon is being pulled by horses.
A convoy of wagons and horses ride through the desert.
One wagon rides through a valley when a explosion happens to the side.
Horse riders continue on their journey amidst the smoke.
Boulders start to fall down and fill the path.
A large avalanche of dust appears.
A horse rears up and whinnies. It freezes.
A caption reads: "10,000 Dollars Blood Money"
A man in the shadows talks with Django.
Alright. And you? What's your starting price?
Django slowly lights a cigarette in his mouth with a match.
10,000 minimum.
I see.
Django fights outside with a bandit. They punch each other.
The bandit falls into a pile of straw in a barn. Django follows and they continue to fight.
An old man with a large hat and drooping moustache laughs. He then becomes serious and nods.
A man attacks Django from behind with the butt of his gun.
Django falls to his knees and the old man kicks him onto his back.
A tanned, scruffy cowboy holds a man by the shoulders and looks at him intently. He brings him in for a hug which makes the other man relieved. The cowboy then throws him against a door which he falls through.
The cowboy walks after him and throws him again.
A tender, guitar song plays.
That's enough.
A cowboy struggles with a woman. They both look each other in the eye.
Django is distracted by an attractive, red-headed women who appears beside him.
A man fires a gun and shoots at a set of pots in another building.
Django stands at the door and fires his gun, shooting the man.
That's enough.
Django is curled up in a barrel which rolls forward and he shoots a bandit who falls to the floor.
A group playing cards. The old man puts a note onto the table. He spits out something from his mouth. He then notices something in the corner and fires his gun at it.
Django appears from the shadows.
You don't have to kill anymore.
It freezes on Django's face.
A caption reads: "10,000 Dollars Blood Money"
No more.
A cowboy rides through a dry, hilly area.
A view from the floor, we see three men approach two men who have arrived in their town on horses.
There's no rule that you have to kill people like yourself.
The old man approaches the man on the horse and whispers to him. They both look in the same direction.
There is hatted figure hiding behind a barrel.
Don't forget that one day the heavens will judge you.
The cowboy walks slowly towards him.
Suddenly, from up high Django appears and fires towards him.
And what you do.
The cowboy is shocked and drops his gun.
Django, up high, shouts down to them.
Drop your guns!
The group stand around looking up at him.
The party's over. You too, Stardust!
That's enough.
We zoom in on a scorpion walking across the sand.
Django is buried up to his neck in the sand and he watches the scorpion carefully.
The scorpion continues to walk towards him.
Django tries to avoid looking at it.
We zoom in on Django's eyes. He closes them.
You don't have to kill anymore.
The scorpion is closer to his face.
The scorpion raises its pincers in their air and is very close to Django.
A caption reads: "10,000 Dollars Blood Money"
No more.
A caption reads: with Gary Hudson
A caption reads: Loredana Nusciak
A caption reads: Claudio Camaso
Hey! Hey man! Hey man!
A caption reads: and with the extraordinary participation of Fernando Sancho
Don't forget about God!
A caption reads: A production Zenith Cinematografica Flora Film.
Hey man! Hey man!
A caption reads: A film directed by Romolo Guerrieri
Don't forget about him!
A caption reads: Distributed by Variety Film
Hey!
A caption reads: Coming soon to this screen.
Arrow Video
In the mid-1960s, the runaway success of Sergio Leone's "Dollars" trilogy gave rise to an explosion of similar productions. Filmmakers by the dozen sought to capitalize on this new, uniquely Italian take on the western, which was characterized by their deeply cynical outlook, morally compromised antiheroes and unflinching depictions of savage violence. This specially curated selection gathers together four outstanding examples of the genre from the height of its popularity, all centered around the theme of blood money.
In Romolo Guerrieri's $10,000 Blood Money (1967; a.k.a. $10,000 for a Massacre), Gianni Garko - best known for his portrayal of supernatural gunslinger Sartana - takes on the part of another beloved western antihero, Django, who is on the trail of bandit Manuel Vasquez (Claudio Camaso, A Bay of Blood). But what started as a job for hire soon turns personal, with Django swearing vengeance against the unscrupulous outlaw. Then, in the film's spiritual successor, Giovanni Fago's Vengeance is Mine (1967; a.k.a. $100,000 for a Killing), Garko and Camaso once again lead the cast, this time as estranged half-brothers - one a Confederate soldier now riding with renegade outlaws, the other a bounty hunter tasked with bringing him in alive.
Next, in Giuliano Carnimeo's Find a Place to Die (1968), Jeffrey Hunter (The Searchers) plays Joe Collins, a disgraced former soldier who assembles a ragtag band of scoundrels. They are lured into helping a woman (Pascale Petit, A Queen for Caesar) to rescue her prospector husband, who is trapped at their gold mine cave-in - though in reality, they have designs on the gold strike themselves. Finally, in Cesare Canevari's psychedelic Matalo! (Kill Him) (1970), double- and triple-crosses abound as a band of outlaws, having holed up in an isolated ghost town, set about terrorizing travelers Ray (Lou Castel, Orgasmo) and Bridget (Ana María Mendoza, 7 Women for the MacGregors) - only to get more than they bargained for when Ray fights back, armed only with his weapon of choice: a bag full of boomerangs.
Featuring a wealth of key Euro-cult talent both behind and in front of the camera, Arrow Films is proud to present these four classic westerns in sparkling High Definition restorations produced specially for this release, alongside a plethora of brand new bonus materials.
Product Features
- High Definition Blu-ray™ (1080p) presentations of all four films
- Brand new 2K restorations of all four films from the original 35mm camera negatives by Arrow Films
- Original Italian and English front and end titles
- Restored lossless original Italian and English soundtracks
- English subtitles for the Italian soundtracks
- English subtitles for the deaf and hard of hearing for the English soundtracks
- Brand new introductions to each film by journalist and critic Fabio Melelli
- Galleries for all four films
- Illustrated collector's booklet featuring new writing by author and critic Howard Hughes
- Fold-out double-sided poster featuring newly commissioned artwork by Gilles Vranckx
- Limited edition packaging with reversible sleeves featuring original artwork and a slipcover featuring newly commissioned artwork by Gilles Vranckx
DISC 1 - $10,000 BLOOD MONEY
- Brand new audio commentary by author and film historian Lee Broughton
- Tears of Django - newly edited featurette with archival interviews with director Romolo Guerrieri and actor Gianni Garko
- The Producer Who Didn't Like Western Movies - brand new interview with producer Mino Loy
- How the West Was Won - brand new interview with screenwriter Ernesto Gastaldi
- Theatrical trailer
DISC 2 - VENGEANCE IS MINE
- Brand new audio commentary by critics Adrian J. Smith and David Flint
- Cain and Abel - newly edited featurette with archival interviews with actor Gianni Garko and screenwriter Ernesto Gastaldi
- In Conversation with Nora Orlandi - newly edited archival interview with the film's iconic composer
- Movie After Movie - brand new interview with producer Mino Loy
- Theatrical trailer
DISC 3 - FIND A PLACE TO DIE
- Brand new audio commentary by author and critic Howard Hughes
- Sons of Leone - newly edited archival interview with director Giuliano Carnimeo
- Traditional Figure - brand new, in-depth appreciation of the soundtrack and its composer, Gianni Ferrio, by musician and disc collector Lovely Jon
DISC 4 - MATALO! (KILL HIM)
- Brand new audio commentary by critics Troy Howarth and Nathaniel Thompson
- A Milanese Story - brand new, in-depth interview with filmmaker Davide Pulici, discussing the career of Matalo! director Cesare Canevari
- Untold Icon - brand new, in-depth appreciation of the soundtrack and its composer, Mario Migliardi, by musician and disc collector Lovely Jon
- Theatrical trailer
- Arrow Video
- 370 mins approx
- Romolo Guerrieri
- Giovanni Fago
- Giuliano Carnimeo
- Cesare Canevari
English
- 15
- Gianni Garko
- Loredana Nusciak
- Claudio Camaso
- Claudie Lange
- Jeffrey Hunter
- Pascale Petit
- Lou Castel
- Ana MarÃa Mendoza
English, English SDH
- 2.35:1, 1.85:1
- 1967
- Italian
- 4
- A
- B
- Arrow Video
Customer Reviews
Top Customer Reviews
Where reviews refer to foods or cosmetic products, results may vary from person to person. Customer reviews are independent and do not represent the views of The Hut Group.
Cesare Canevaris Greatest film is included
A great purchase (bought elsewhere as I had a bad experience with the Bruce Lee box). Three classic westerns and Cesare Canevaris Greatest film Matalo. Greatly restored and available in Italian or English version. New introductions by journalist and critic Fabio Melelli for all four films, I prefered to watch them afterwards. And the usual Arrow treatment with good extras, commenataries, poster, book and nicely designed box with slipcover. The uncut Gem is Matalo, a surreal kind of western. Another great box from Arrow.
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