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A caption reads: Coming from Orion Pictures Corporation.
A profile of Alex Murphy with the words DECEASED written across it.
Lines flicker on a screen then a man places his hand across the camera.
An old man in a suit addresses the camera solemnly.
Old Detroit has a cancer.
Two men throw a large object through a shop window.
Cancer is crime.
The screen flickers again. A man with a screwdriver attempts to fix it.
Dick Jones stands in front of a row of televisions.
As you know we've entered into a contract with the city to run local law enforcement.
A group of people lean over the screen.
We were able to save the left arm
What? I thought we agreed on total body prosthesis. Now lose the arm okay?
Demonstration of a robotic arm.
A gun fires at a dummy target.
Robocop walks past a frosted window then shows a spike extending from his fist to a worried looking man.
We see various shots of Robocop, a profile of a criminal on a screen and Robocop in a car witnessing a crime.
We get the best of both worlds. Onboard computer assisted memory and a lifetime of on the street law enforcement programming.
A woman approaches Officer Lewis at a gun range.
Hey Lewis, it's Super Cop!
A gun fires as a group of police officers watch on.
This guy is really good.
Robocop spins a gun around in his hand.
He's not a guy, he's a machine.
Lewis watches Robocop spin the gun then has a flashback to Murphy who spins his gun the same way.
What are they gonna do, replace us?
Lewis talks to the screen.
Murphy, it's you.
Bob Morton throws a set of keys to Robocop.
Go get 'em boy.
Thank you.
Robocop starts up a police car and drives away.
Robocop holds a criminal by the shirt.
You have the right to remain silent.
A man is thrown through a window.
You have the right to an attorney.
Robocop takes a gun from his leg and points it at a group holding a woman at knifepoint.
Anything you say may be used against you.
You better back up pal!
Your move, creep!
Robocop fires his gun.
Robocop walks away with an exploding petrol station behind him.
The future of law enforcement - Robocop.
A caption reads: Robocop. An Orion Pictures Release.
Thank you for your cooperation.
Arrow Films
Part Man, Part Machine, All Cop.
RoboCop, from Orion Pictures, marked director Paul Verhoeven's (Flesh + Blood) Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theaters in the summer of 1987. Verhoeven's peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back).
The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop – a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop's memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above.
Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back in a definitive 4K UHD Blu-ray presentation packed with hours of brand new bonus features and exclusive collectable packaging.
Bonus Features
- 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
- Newly commissioned artwork by Paul Shipper
- Director's Cut and Theatrical Cut of the film on two 4K (2160p) UHD Blu-ray™ discs with Dolby Vision (HDR10 compatible)
- Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options on both cuts
- Optional English subtitles for the deaf and hard of hearing on both cuts
- Six collector's postcards (Limited Edition exclusive)
- Double-sided fold-out poster (Limited Edition exclusive)
- Reversible sleeve featuring original and newly-commissioned artwork (Limited Edition exclusive)
- 80-page Limited Edition collector's booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
Disc One – Director's Cut
- Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director's Cut)
- Commentary by film historian Paul M. Sammon
- Commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
- The Future of Law Enforcement: Creating RoboCop, an interview with co-writer Michael Miner
- RoboTalk, a conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nicholas McCarthy (director of Orion Pictures' The Prodigy)
- Truth of Character, an interview with star Nancy Allen on her role as Lewis
- Casting Old Detroit, an interview with casting director Julie Selzer on how the film's ensemble cast was assembled
- Connecting the Shots, an interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt
- Analog, a featurette focusing on the special photographic effects, including new interviews with Peter Kuran and Kevin Kutchaver
- More Man Than Machine: Composing RoboCop, a tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
- RoboProps, a tour of super-fan Julien Dumont's collection of original props and memorabilia
- 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
- RoboCop: Creating A Legend, Villains of Old Detroit, Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
- Paul Verhoeven Easter Egg
- Four deleted scenes
- The Boardroom: Storyboard with Commentary by Phil Tippett
- Director's Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR)
- Two theatrical trailers and three TV spots
- Extensive image galleries
Disc Two – Theatrical Cut
- Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
- Two Isolated Score tracks (Composer's Original Score and Final Theatrical Mix)
- Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
- Split screen comparisons between the Director's Cut and Theatrical Cut, and the Theatrical Cut and edited-for-TV version
- RoboCop: Edited for Television, a compilation of alternate scenes from two edited-for-television versions, including outtakes newly transferred in HD from recently unearthed 35mm elements
- Arrow Video
- 103 mins approx
- 18
- English
- 2
- Arrow Video
- Paul Verhoeven
- Peter Weller
- Nancy Allen
- Miguel Ferrer
- English SDH
- 1987
- A
- B
- C
RoboCop Limited Edition 4K UHD
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A caption reads: Coming from Orion Pictures Corporation.
A profile of Alex Murphy with the words DECEASED written across it.
Lines flicker on a screen then a man places his hand across the camera.
An old man in a suit addresses the camera solemnly.
Old Detroit has a cancer.
Two men throw a large object through a shop window.
Cancer is crime.
The screen flickers again. A man with a screwdriver attempts to fix it.
Dick Jones stands in front of a row of televisions.
As you know we've entered into a contract with the city to run local law enforcement.
A group of people lean over the screen.
We were able to save the left arm
What? I thought we agreed on total body prosthesis. Now lose the arm okay?
Demonstration of a robotic arm.
A gun fires at a dummy target.
Robocop walks past a frosted window then shows a spike extending from his fist to a worried looking man.
We see various shots of Robocop, a profile of a criminal on a screen and Robocop in a car witnessing a crime.
We get the best of both worlds. Onboard computer assisted memory and a lifetime of on the street law enforcement programming.
A woman approaches Officer Lewis at a gun range.
Hey Lewis, it's Super Cop!
A gun fires as a group of police officers watch on.
This guy is really good.
Robocop spins a gun around in his hand.
He's not a guy, he's a machine.
Lewis watches Robocop spin the gun then has a flashback to Murphy who spins his gun the same way.
What are they gonna do, replace us?
Lewis talks to the screen.
Murphy, it's you.
Bob Morton throws a set of keys to Robocop.
Go get 'em boy.
Thank you.
Robocop starts up a police car and drives away.
Robocop holds a criminal by the shirt.
You have the right to remain silent.
A man is thrown through a window.
You have the right to an attorney.
Robocop takes a gun from his leg and points it at a group holding a woman at knifepoint.
Anything you say may be used against you.
You better back up pal!
Your move, creep!
Robocop fires his gun.
Robocop walks away with an exploding petrol station behind him.
The future of law enforcement - Robocop.
A caption reads: Robocop. An Orion Pictures Release.
Thank you for your cooperation.
Arrow Films
Part Man, Part Machine, All Cop.
RoboCop, from Orion Pictures, marked director Paul Verhoeven's (Flesh + Blood) Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theaters in the summer of 1987. Verhoeven's peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back).
The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop – a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop's memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above.
Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back in a definitive 4K UHD Blu-ray presentation packed with hours of brand new bonus features and exclusive collectable packaging.
Bonus Features
- 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
- Newly commissioned artwork by Paul Shipper
- Director's Cut and Theatrical Cut of the film on two 4K (2160p) UHD Blu-ray™ discs with Dolby Vision (HDR10 compatible)
- Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options on both cuts
- Optional English subtitles for the deaf and hard of hearing on both cuts
- Six collector's postcards (Limited Edition exclusive)
- Double-sided fold-out poster (Limited Edition exclusive)
- Reversible sleeve featuring original and newly-commissioned artwork (Limited Edition exclusive)
- 80-page Limited Edition collector's booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
Disc One – Director's Cut
- Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director's Cut)
- Commentary by film historian Paul M. Sammon
- Commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
- The Future of Law Enforcement: Creating RoboCop, an interview with co-writer Michael Miner
- RoboTalk, a conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nicholas McCarthy (director of Orion Pictures' The Prodigy)
- Truth of Character, an interview with star Nancy Allen on her role as Lewis
- Casting Old Detroit, an interview with casting director Julie Selzer on how the film's ensemble cast was assembled
- Connecting the Shots, an interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt
- Analog, a featurette focusing on the special photographic effects, including new interviews with Peter Kuran and Kevin Kutchaver
- More Man Than Machine: Composing RoboCop, a tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
- RoboProps, a tour of super-fan Julien Dumont's collection of original props and memorabilia
- 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
- RoboCop: Creating A Legend, Villains of Old Detroit, Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
- Paul Verhoeven Easter Egg
- Four deleted scenes
- The Boardroom: Storyboard with Commentary by Phil Tippett
- Director's Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR)
- Two theatrical trailers and three TV spots
- Extensive image galleries
Disc Two – Theatrical Cut
- Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
- Two Isolated Score tracks (Composer's Original Score and Final Theatrical Mix)
- Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
- Split screen comparisons between the Director's Cut and Theatrical Cut, and the Theatrical Cut and edited-for-TV version
- RoboCop: Edited for Television, a compilation of alternate scenes from two edited-for-television versions, including outtakes newly transferred in HD from recently unearthed 35mm elements
- Arrow Video
- 103 mins approx
- 18
- English
- 2
- Arrow Video
- Paul Verhoeven
- Peter Weller
- Nancy Allen
- Miguel Ferrer
- English SDH
- 1987
- A
- B
- C
Customer Reviews
Top Customer Reviews
Where reviews refer to foods or cosmetic products, results may vary from person to person. Customer reviews are independent and do not represent the views of The Hut Group.
Wow!
Wowowowow, arrow blew me out of the water with this one. Sooo much detail in this, and so many bonuses that come with this edition too. Have that poster hanging in my room now. The disc itself looks absolutely gorgeous, and seeing RoboCop in glorious 4K is really an experience. Great job :)
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The Definitive RoboCop Collection
Ok, i’m biased - Robocop was one of the first 18/R rated films that I ever saw, and has remained in my personal top 10 all-time favourite movies ever since. A defining moment in 80 cinema, the movie is a timeless classic of action and gore while philosophising what it is to be human, even if that humanity has supposedly been stripped away.  Arrow Films have created what is undoubtedly the definitive 4K Robocop collection. The movie has never looked better, and likely never will look better than this. Grain is prevalent, and even more noticeable during the TV sequences, but isn’t distracting. The HDR makes Robocop’s armour pop with a violet hue that I’ve never seen before. The Improvements also include the Director’s cut footage, which on previous Blu-ray releases that I’ve owned had clearly not been remastered. Here it is, and while it isn’t a perfect match in quality, it Is closer here than it ever has been before. There is a wealth of archive and new special features, including a very charming interview with Nancy Allen. And the edited-for-television version, which I had actually avoided till now, is hilarious. The set includes some fine art cards, double sided poster, a humorous sticker and a superb 80-page book full of information surrounding the film’s production, themes, impact and legacy. In short, if you are a fan of RoboCop in any way, this set is a must own. 10/10, Arrow.Â
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